DESIGN CREDITS
| As You Like It | projection design: Maria Aitken dir. | Shakespeare Theatre, DC | 2009 |
| Race For Love | projection design: Lynn Taylor-Corbett dir. | Huairou Theatre, China | 2009 |
Ansel Adams: America |
projection design: Chris & Dave Brubeck | premeire: Stockton Phil. various | 2009 |
| The Success of Failure (or, The Failure of Success) | co-set, projection, & production design: Cynthia Hopkins/Accinosco |
premeire: Walker Arts Center. St. Ann's Warehouse | 2009 |
| 33 Variations | projection design: Moisés Kaufman dir. | Broadway | 2009 |
| Spin | projection design: the stageFARM | Cherry Lane Theater | 2008 |
| 33 Variations | projection design: Moisés Kaufman dir. | Arena Stage, La Jolla Playhouse | 2007-08 |
| The Slugbearers of Kayrol Island | co-set & projection design: Bob McGrath dir. | The Vineyard Theater | 2008 |
| Natalie Merchant | light design | Hiro Ballroom, NYC | 2008 |
| Must Don't Whip 'Um | co-production design (set & projection): Cynthia Hopkins/Accinosco |
premeire: Walker Arts Center. St. Ann's Warehouse, tour | 2007-08 |
| Accidental Nostalgia | co-production design (set, lights, & proj): Cynthia Hopkins/Accinosco |
St. Ann's Warehouse, tour | 2005-07 |
| ¡El Conquistador! | light design & set engineer:Thaddeus Philips/Lucidity Suitcase Intl. |
New York Theater Workshop | 2006 |
| Tsimtsum | set & light design: Cynthia Hopkins creator | Dance Theater Workshop | 2006 |
| Out of the Dust | set & light design: Daniel Wilkins chor. | DvF Studio Theater: DASS dance | 2006 |
| Let Them Eat Cake | projection design: Michael Tilson Thomas cond. | San Francisco Symphony | 2005 |
| Of Thee I Sing | projection design: Michael Tilson Thomas cond. | San Francisco Symphony | 2005 |
| The Thomashefsky Project | set design, co-projection design: Michael Tilson Thomas cond. |
Zankel Hall, NYC; S.F. Symphony | 2004 |
| Cafeteria | set & light design: Pig Iron Theater Co. | new prod. Arden Theater | 2004 |
| Religilistic | light design: Daniel Wilkins chor. | DvF Studio Theater: Dass dance | 2004 |
| Compress Your Dreams | light & projection design: Transmission Projects (co-founder) | GAle GAtes et al. | 2003 |
| Meat is Floating By | light design: The Collapsable Giraffe | The Collapsable Hole | 2003 |
| Slight Return | light design: John Jesurun creator | Kampnagel: Hamburg, Germany | 2002 |
| forward | light design: Daniel Wilkins chor. | DvF Studio Theater: DASS dance | 2002 |
| Strange Birds | set, light, & projection design: Joseph Diebes composer | GAle GAtes et al., tour | 2001 & 2005 |
| Natalie Cole | light design | Weee U.S. tour | 2001 |
| Witch Mountain/Black Tarantula | light design: The Collapsable Giraffe | The Collapsable Hole | 2001 |
| Toast of Tears | light & projection design: Transmission Projects | Smack Mellon Studios | 2000 |
| Apocrypha for Strings | set, light, projection design: Joseph Diebes composer | GAle GAtes et al/Performing Garage | 2000 |
| Hazard of Gravity | light design: Transmission Projects | Smack Mellon Studios | 1999 |
| 3 Virgins | light design: The Collapsable Giraffe | Show World | 1999 |
| The Tragedy of Joan of Arc | set & light design: Pig Iron Theater Co. | Philadelphia, PA | 1998 |
| Poet In New York | set & light design: Pig Iron Theater Co. | Theater for a New City, NYC | 1997 |
| Cafeteria | set & light design: Pig Iron Theater Co. | orig prod. Philadelphia, PA | 1997 |
| Trece Días | set & projection design: San Francisco Mime Troupe | San Francisco, tour | 1997 |
| Dig or Fly | light design: Pig Iron Theater Co. | Theater for a New City, NYC | 1996 |